Latest Episodes for this Channel
Fri July 18 2008
Hwang Byungki is Korea's acclaimed master of the classical kayagum, an ancient ancestor of the Japanese koto. His six-member ensemble performs tradi...
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Hwang Byungki is Korea's acclaimed master of the classical kayagum, an ancient ancestor of the Japanese koto. His six-member ensemble performs traditional music and original works by Hwang on kayagum, taegum (flute), komungo (zither), and changgu (hour-glass drum). Hwang Byungki has toured internationally for more than forty years. In 1990, he led an ensemble to North Korea to perform in a landm... read more
Hwang Byungki is Korea's acclaimed master of the classical kayagum, an ancient ancestor of the Japanese koto. His six-member ensemble performs traditional music and original works by Hwang on kayagum, taegum (flute), komungo (zither), and changgu (hour-glass drum). Hwang Byungki has toured internationally for more than forty years. In 1990, he led an ensemble to North Korea to perform in a landmark concert advocating the reunification of Korea. This concert was made possible, in part, by the Korea Society and the Korea Foundation. Recorded live on June 5, 2007, Meyer Auditorium, Freer Gallery of Art. Sounds of the Night (0:00-11:30) Soyop Sanbang (11:53-22:10) Moon of My Hometown (22:36-27:02) Kayagum sanjo (27:25-46:02) Harimsong (46:40-54:20) Ch'imhyangmu (Dance of Aloe Perfume) (54:43-1:08:50) See images, program notes and related artwork at http://www.asia.si.edu/podcasts/default/
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Tue June 10 2008
Grammy Award-winner Vishwa Mohan Bhatt expanded the Hawaiian slide guitar to incorporate nineteen strings, which allows him to combine the technique...
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Grammy Award-winner Vishwa Mohan Bhatt expanded the Hawaiian slide guitar to incorporate nineteen strings, which allows him to combine the techniques of Indian classical music from several traditional instruments, such as the sitar, sarod, and vina. He has performed worldwide, including appearances at the fiftieth anniversary celebration of the United Nations and for the celebration at Lincoln C... read more
Grammy Award-winner Vishwa Mohan Bhatt expanded the Hawaiian slide guitar to incorporate nineteen strings, which allows him to combine the techniques of Indian classical music from several traditional instruments, such as the sitar, sarod, and vina. He has performed worldwide, including appearances at the fiftieth anniversary celebration of the United Nations and for the celebration at Lincoln Center of Mahatma Ganhi's 125th birthday. Subhen Chatterjee has accompanied such masters as Bhimsen Joshi, V. G. Jog, and Rashid Khan. This concert was presented in celebration of the Freer's "Arts of the Indian Subcontinent and the Himalayas." Recorded live in the Meyer Auditorium, Freer Gallery of Art, March 28, 2008. Part 1 of 2: Rag Puriya Kalyan (1:08:15) Part 2 of 2: Rag Desh, Rag Kirwani, and Meeting by the River (50:47) See images, program notes and related artwork at http://www.asia.si.edu/podcasts/default/
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Tue June 10 2008
Grammy Award-winner Vishwa Mohan Bhatt expanded the Hawaiian slide guitar to incorporate nineteen strings, which allows him to combine the technique...
read more
Grammy Award-winner Vishwa Mohan Bhatt expanded the Hawaiian slide guitar to incorporate nineteen strings, which allows him to combine the techniques of Indian classical music from several traditional instruments, such as the sitar, sarod, and vina. He has performed worldwide, including appearances at the fiftieth anniversary celebration of the United Nations and for the celebration at Lincoln C... read more
Grammy Award-winner Vishwa Mohan Bhatt expanded the Hawaiian slide guitar to incorporate nineteen strings, which allows him to combine the techniques of Indian classical music from several traditional instruments, such as the sitar, sarod, and vina. He has performed worldwide, including appearances at the fiftieth anniversary celebration of the United Nations and for the celebration at Lincoln Center of Mahatma Ganhi's 125th birthday. Subhen Chatterjee has accompanied such masters as Bhimsen Joshi, V. G. Jog, and Rashid Khan. This concert was presented in celebration of the Freer's "Arts of the Indian Subcontinent and the Himalayas." Recorded live in the Meyer Auditorium, Freer Gallery of Art, March 28, 2008. Part 1 of 2: Rag Puriya Kalyan (1:08:15) Part 2 of 2: Rag Desh, Rag Kirwani, and Meeting by the River (50:47) See images, program notes and related artwork at http://www.asia.si.edu/podcasts/default/
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Fri May 30 2008
Six veterans of the venerable Marlboro Music Festival perform Franz Joseph Haydn’s String Quartet, op. 20, no. 4 (1772); Elliott Carter’s Figmen...
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Six veterans of the venerable Marlboro Music Festival perform Franz Joseph Haydn’s String Quartet, op. 20, no. 4 (1772); Elliott Carter’s Figment IV, for unaccompanied viola (2007, American premiere); Carter’s Quartet for Oboe and Strings (2001); and Robert Schumann’s Quartet for Piano and Strings, op. 47 (1842). The ensemble features Susie Park and Harumi Rhodes, violins; Samuel Rhodes,... read more
Six veterans of the venerable Marlboro Music Festival perform Franz Joseph Haydn’s String Quartet, op. 20, no. 4 (1772); Elliott Carter’s Figment IV, for unaccompanied viola (2007, American premiere); Carter’s Quartet for Oboe and Strings (2001); and Robert Schumann’s Quartet for Piano and Strings, op. 47 (1842). The ensemble features Susie Park and Harumi Rhodes, violins; Samuel Rhodes, viola; Priscilla Lee, cello; Rudolph Vrbsky, oboe; and Ieva Jokubaciute, piano. Recorded live in the Freer Gallery’s Meyer Auditorium on March 18, 2008. Haydn: String Quartet in D Major (0:00–26:50) Carter: Figment IV (27:14–30:15) Carter: Oboe Quartet (30:33–47:27) Schumann: Piano Quartet (47:55–1:16:42)
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Tue April 29 2008
Enjoy this rarely heard tradition of Chinese music and drama called nanguan. Dating from the early seventeenth-century Ming dynasty, it has been rev...
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Enjoy this rarely heard tradition of Chinese music and drama called nanguan. Dating from the early seventeenth-century Ming dynasty, it has been revived by Chinese musicians and actors in China, Taiwan, Hong Kong, and Southeast Asia. It is performed here by vocalists and instrumentalists on Chinese fiddle, lute, gongs, flute, and percussion. The centerpiece of the performance is an excerpt from ... read more
Enjoy this rarely heard tradition of Chinese music and drama called nanguan. Dating from the early seventeenth-century Ming dynasty, it has been revived by Chinese musicians and actors in China, Taiwan, Hong Kong, and Southeast Asia. It is performed here by vocalists and instrumentalists on Chinese fiddle, lute, gongs, flute, and percussion. The centerpiece of the performance is an excerpt from Enjoying the Flowers, a famous scene in the nanguan repertoire. In this episode, a lady's maid conjures up imagery of bees, butterflies, birds, and flowers to convince her patron to express her frustrated love through romantic poetry. This performance was presented in cooperation with the Taipei Cultural Center and in conjunction with the Sackler exhibition East of Eden: Gardens in Asian Art. Recorded live in the Haupt Garden at the Arthur M. Sackler Gallery on April 22, 2007. For program notes, images and links related to this podcast, visit http://www.asia.si.edu/podcasts/ .
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